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The good, the bad and the medley: how things have changed from bulletins to Twitter-feeds. Or have they?

Through the night hours in a BBC newsroom, the gallery screens never sleep.

Asia markets resurrect Bloomberg tickers, a distant vacuum hums, there’s the purr of a printer and in New York, Shang Hai and London it’s 20 minutes before the next top-of-the-hour. An engineer is slumped across the sound desk – a polystyrene cup out of harm’s way; the vision mixer, cocooned in a fleece and director’s swivel chair, stirs in a shiver of aircon.

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